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When Marshall Amplification unveiled the new JVM Series 100-watt tube head at this year’s winter NAMM convention, most people were impressed, but few were surprised. Even with its whopping four channels, 28 knobs, 12 possible gain voicings, and MIDI capability, the high-gain tour de force seemed a logical, even predictable extension of Marshall’s previous flagship—the three-channel JCM 2000 TSL-100. It seems the industry has grown to expect such full-featured triumphs of amp design from the iconic British amp builder. When Marshall Amplification unveiled the new JVM Series 100-watt tube head at this year’s winter NAMM convention, most people were impressed, but few were surprised.

Even with its whopping four channels, 28 knobs, 12 possible gain voicings, and MIDI capability, the high-gain tour de force seemed a logical, even predictable extension of Marshall’s previous flagship—the three-channel JCM 2000 TSL-100. It seems the industry has grown to expect such full-featured triumphs of amp design from the iconic British amp builder. Refreshingly sparse by 2007 standards, the Vintage Modern’s brushed-aluminum faceplate has only eight knobs, two push-switches, and a throwback, early-’60s-style block pilot light that glows in calming indigo. Yet despite its classic look, the amp boasts several contemporary features. These include a bypassable series effects loop (switchable between rack gear and stompbox input levels), footswitchable Dynamic Range and reverb, a powerful Mid Boost switch that’s perfectly voiced for adding mass to single-coils, and last but certainly not least, my favorite feature—the tandem preamp controls.