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Already uncannily similar in looks, Tautou's strong performance breathes life into Gabrielle 'Coco' Chanel, the fiery designer who would found iconic Parisian haute couture house, Chanel. From the way she holds her cigarette to Coco's famously sharp gaze, Tautou is a dead-ringer for the young Coco. 'She is perfect for the part,' Fontaine told CNN. 'She has this determination and authority. D Link Modem Dsl 2730u Driver Free Download on this page. ' 'Coco' charts the couturier's early life -- an almost fairytale journey from orphaned cabaret performer in Moulins to the 20th Century's foremost fashion designer.

Picsart For Java Mobile Free Download. Fontaine, who also wrote the script for 'Coco,' says the film would have been impossible without Tautou: 'For me, it was the beginning of the story to have a good interpretation of Coco -- if not, I wouldn't have written the script.' But, while Tautou's unmistakable similarity to Coco Chanel made her an obvious choice for the role, the striking actress says she wasn't interested in doing a 'birth to death' biopic of the designer. 'It seemed to me that the period when Coco was building herself and asserting her personality is the most interesting in her life,' says Tautou who rose to international prominence in quirky 2001 drama, 'Amelie. Activation Code For Poker Academy Pro Review. ' It was Fontaine's vision that finally convinced the 32 year-old actress to take on the role: 'When Anne explained how she intended to treat the subject, I immediately agreed,' Tautou told CNN. 'She knew she was predestined for this role,' says Fontaine.

'She has this 'little black bull' side to her, a grace, finesse, and an irrefutable charisma.' 'Coco' focuses on the years Chanel spent living with wealthy socialite, Etienne Balsan. Balsan, played brilliantly by Benoit Poelvoorde, introduces her to the Parisian high society and fashion -- lavishness the wide-eyed Chanel rapidly acclimatized to. 'Chanel looked at everything. Her culture was not one of knowledge, but a culture of observations,' says Fontaine. It was during this time Coco's own style and creativity began to blossom -- partly in disgust at the unnecessary extravagance of upper-class style during the gaudy years of the late Belle Epoque in France.

Designers of the time projected their image of the ideal woman onto the corsets and elaborate hats they created for them to wear. Coco rejected that ideal, opting to build a style based solely on herself, liberating the female body from the constricting style of the time. 'She's the beginning of the modern woman,' said Fontaine. Unlike other recent film forays into the fashion world, 'Coco Before Chanel' is less about the clothes and accessories and more about the intellectual and philosophical evolution of one of fashion's greatest minds.